Sans Other Komar 3 is a regular weight, wide, low contrast, upright, normal x-height font visually similar to 'Vocal' by Ani Dimitrova (names referenced only for comparison).
Keywords: headlines, posters, logotypes, packaging, signage, industrial, retro, quirky, assertive, mechanical, distinctiveness, industrial feel, constructed geometry, display impact, branding, chamfered, notched, angled, square-shouldered, stencil-like.
A geometric sans with sturdy, squared proportions and frequent angled cuts that read like chamfers or small notches at corners and joins. Curves are broad and simplified, while straight strokes dominate and terminate in crisp, flat ends, creating a slightly modular, constructed feel. Several forms show intentional breaks and wedge-like incisions (notably in rounds and diagonals), giving the rhythm a subtly “cut” texture in running text. Overall spacing and color are even and solid, with a clear, workmanlike silhouette that remains legible at display sizes.
Best suited to headlines, posters, branding marks, and packaging where its cut-corner geometry can carry a strong identity. It can also work for signage or UI labels when a technical, industrial flavor is desired, though the distinctive notches may be visually busy for long-form small text.
The tone is utilitarian and mechanical, with a retro-industrial edge created by the repeated corner cuts and the slightly stencil-like interruptions. It feels direct and engineered rather than friendly, but the unusual notches add a quirky, distinctive voice that can read as playful in headlines.
The design appears intended to reinterpret a straightforward sans through engineered corner cuts and controlled interruptions, creating a constructed, slightly stencil-adjacent personality without sacrificing overall clarity. It aims to be recognizable at a glance, especially in bold wordmarks and short display lines.
The uppercase comes across as more architectural and sign-like, while the lowercase introduces softer rounds that keep paragraphs from feeling overly rigid. Numerals maintain the same cut-corner logic, helping mixed alphanumeric settings look cohesive. The distinctive corner treatments are strong visual identifiers, so the face will make a noticeable stylistic statement in any layout.