Sans Other Mogi 2 is a very bold, wide, low contrast, upright, tall x-height font.
Keywords: headlines, posters, logotypes, packaging, titles, retro, modular, playful, futuristic, industrial, distinctiveness, modular system, poster impact, graphic texture, stencil-like, geometric, cutout, monoline, rounded.
A heavy, geometric display sans built from broad monoline strokes and large, simplified counters. Many letters feature deliberate cut-ins and internal notches that create a stencil-like, segmented construction while keeping overall forms compact and highly graphic. Curves are largely circular with blunt terminals, and the alphabet mixes straight-sided rectangles with rounded bowls, producing a rhythmic, modular texture across words. The lowercase follows the same chunky geometry with a prominent x-height, and figures are similarly bold with stylized breaks and rounded interior shapes.
Best suited to large-size applications where the internal cutouts remain clear: posters, headlines, title treatments, branding marks, and packaging. It can also work well for short callouts or signage-style graphics where a bold, distinctive word shape is desirable.
The overall tone feels modernist and poster-driven, with a playful, engineered personality that reads as both retro and forward-looking. The cutout details add a sense of motion and intrigue, giving headlines a crafted, graphic-design feel rather than a neutral text voice.
This design appears intended as a high-impact display face that transforms simple sans structures into a distinctive, constructed look through systematic cutouts and geometric reduction. The goal seems to be instant recognizability and strong graphic rhythm in branding and editorial display settings rather than quiet neutrality.
The stencil-like interruptions are consistent enough to feel like a system, but they also introduce strong internal shapes that can become the dominant texture in longer lines. The font’s visual identity relies on those cut-ins and the oversized counters, so spacing and line length will noticeably affect how “busy” the texture feels.