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Free for Commercial Use

Sans Normal Ubli 2 is a regular weight, normal width, very high contrast, italic, normal x-height font.

Keywords: editorial, fashion, luxury branding, headlines, posters, elegant, dramatic, refined, display impact, luxury tone, editorial voice, stylish emphasis, refined readability, calligraphic, high-contrast, slanted, crisp, sculpted.


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This is a sharply slanted, high-contrast design with thin hairlines and noticeably heavier main strokes. Curves are smooth and taut, with teardrop-like terminals and wedge-like joins that create a chiseled, sculptural feel. The rhythm alternates between thick verticals and razor-thin connecting strokes, producing a lively, shimmering texture in text. Letterforms are fairly narrow and upright in construction despite the italic angle, with open counters and clean, uncluttered shapes; numerals follow the same contrast and slant, with elegant bowls and fine entry/exit strokes.

Best suited to headlines, magazine layouts, and brand statements where high contrast and italic energy are assets. It works well for fashion, beauty, and luxury contexts, as well as posters and invitations that benefit from a refined, expressive voice. For longer text, it is most effective at comfortable sizes with ample spacing to preserve the hairline detail.

The overall tone is polished and dramatic, projecting a luxury and editorial sensibility. The intense contrast and brisk italic movement feel expressive and stylish rather than neutral, giving the typography a sense of speed and sophistication. It reads as poised and curated, with a classic, high-end flavor suited to display settings.

The design appears intended to deliver a modern, high-contrast italic voice that feels premium and expressive while staying clean and controlled. Its emphasis on crisp hairlines, sculpted joins, and consistent slant suggests a focus on impactful display typography that still maintains legibility and composure.

In larger sizes the hairlines become a defining feature, creating a delicate, sparkling surface; in smaller sizes those thin strokes can appear fragile compared to the bold stems. The italic angle is consistent across capitals, lowercase, and figures, helping long lines maintain a continuous forward motion. Capitals present strong, graphic silhouettes, while the lowercase keeps a refined, calligraphic cadence.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸