Sans Other Lebiw 2 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'AT Bountys Rounded' by Alandya TypeFoundry and 'Hilumion Sans' by Brainwaves Studio (names referenced only for comparison).
Keywords: headlines, posters, signage, packaging, logotypes, art deco, retro, playful, display, whimsical, decorative impact, vintage flavor, signage style, branding, geometric, rounded, chamfered, stencil-like, high contrast.
A compact display sans with tall, narrow proportions and a steady stroke weight. Letterforms are built from rounded verticals and bowl shapes paired with crisp chamfered corners and occasional notched terminals, giving the outlines a subtly cut or stencil-like feel. Curves are smooth and full, counters are relatively small, and many joins resolve into pointed interior angles that add sparkle and rhythm. The overall texture is dense and dark, with distinctive top and bottom treatments that keep lines of text visually animated.
Best suited to headlines and short bursts of text where its cut terminals and narrow build can create strong vertical rhythm. It works well for posters, signage, packaging, and logo wordmarks that want a vintage-modern tone. For longer text, the dense weight and small counters suggest using generous size and spacing for clarity.
The font reads as retro and decorative, combining friendly rounded shapes with sharp cut details for an Art Deco–adjacent personality. It feels upbeat and quirky rather than formal, with enough eccentricity to make headlines memorable. The repeated notches and chamfers suggest vintage signage and poster lettering while staying clean and sans-based.
The design appears intended to deliver a distinctive retro display voice while remaining structurally sans and highly consistent in stroke. Its mix of rounded geometry and chamfered cuts looks tuned for bold brand statements, evoking classic signage and decorative titling without relying on serifs.
Distinctive features include a single-story lowercase “a,” a rounded, open lowercase “e,” and a “t” with a compact crossbar that blends into the vertical stroke. Numerals follow the same rounded-and-chamfered logic, with a particularly ornamental “2” and “7,” reinforcing the display-first intent.