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Serif Flared Mymak 9 is a very bold, normal width, very high contrast, upright, normal x-height font visually similar to 'Calligraphic Afera Beauty' by Caron twice and 'Antonia' by Typejockeys (names referenced only for comparison).

Keywords: headlines, posters, magazine, branding, packaging, dramatic, editorial, regal, theatrical, vintage, impact, prestige, distinctiveness, expressiveness, sharp serifs, wedge terminals, ink traps, sculptural, calligraphic.


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This typeface combines heavy, compact letterforms with pronounced thick–thin modulation and sharply cut wedge serifs. Strokes often flare into pointed terminals, creating a carved, faceted silhouette and crisp interior angles. The lowercase shows a lively, slightly calligraphic flow with asymmetric joins and distinctive notches/ink-trap-like cuts at key stress points (notably in a, e, g, s), while the uppercase reads more monumental and blocky with strong vertical emphasis. Numerals are similarly stylized, with angular cuts and high-contrast bowls that keep the overall texture bold and tightly knit.

Best suited to display contexts such as headlines, magazine covers, posters, title treatments, and brand marks where its sculptural contrast and wedge-serifs can be appreciated. It can also work for short, impactful passages (taglines, pull quotes, packaging callouts) where a bold, stylized serif voice is desired.

The overall tone is assertive and dramatic, with a fashion/editorial energy that feels ceremonial and slightly baroque. Its sharp wedges and sculpted contrasts convey authority and prestige, while the quirky internal cuts add personality and edge rather than pure formality.

The design appears intended to deliver a modern, high-impact display serif with a carved, flared-terminal aesthetic. By pairing monumental capitals with expressive, notched lowercase forms, it aims to balance classic sophistication with a distinctive, contemporary bite.

At text sizes the high contrast and sharp joins create a lively sparkle, especially in mixed-case settings where the lowercase’s notches and stress changes become a defining texture. The rhythm favors display use: wide black strokes and pointed terminals produce striking word shapes, but small sizes may emphasize the cut-ins and narrow connections.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸