Font Hero

Free for Commercial Use

Serif Flared Jaloy 2 is a bold, normal width, very high contrast, italic, normal x-height font visually similar to 'Amarga' by Latinotype (names referenced only for comparison).

Keywords: headlines, posters, book covers, magazine titles, branding, dramatic, editorial, classic, theatrical, assertive, attention grabbing, dramatic titling, classic revival, brand voice, calligraphic, flared, wedge serif, ink-trap feel, dynamic rhythm.


Free for commercial use
Customize the font name

A sharply slanted serif design with pronounced wedge-like, flaring terminals and strongly sculpted thick–thin modulation. Curves are taut and slightly compressed, with pointed joins and brisk, blade-like serifs that often read as triangular notches. The lowercase shows energetic, calligraphic construction and a lively baseline rhythm, while counters remain relatively tight, reinforcing a dense, punchy texture. Numerals follow the same angular, chiseled logic, with high-contrast shapes and crisp, tapered endings.

Best suited to headlines, display lines, and titling where its high-contrast wedges and energetic italic stance can command attention. It works well for magazine mastheads, book and film titles, packaging, and brand marks that want a classic-but-edgy voice; for longer text, it will generally be more comfortable at larger sizes with generous spacing.

The overall tone is bold and performative, combining classic display-serif authority with a slightly mischievous, swashbuckling edge. Its sharp wedges and italic momentum give it a sense of motion and tension that feels suited to dramatic, attention-seeking typography rather than quiet neutrality.

The design appears intended as a statement display italic that blends calligraphic influence with chiseled, flared serif endings to maximize drama and visual bite. Its sculpted terminals and dense rhythm suggest a focus on creating memorable, high-impact word shapes for titling and branding.

Stroke endings frequently flare into pointed wedges, creating distinctive internal cut-ins on letters like E, F, K, and X and adding sparkle at text sizes. The italic slant is consistent across cases, and the design’s contrast and tight counters favor large sizes where the sharp detailing can remain clear.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸