Sans Superellipse Waky 7 is a bold, very wide, monoline, upright, normal x-height font visually similar to 'Gemsbuck 01' and 'Gemsbuck Pro' by Studio Fat Cat (names referenced only for comparison).
Keywords: logotypes, headlines, posters, packaging, app ui, techy, futuristic, industrial, sporty, confident, tech branding, display impact, modular system, modern signage, ui titling, squared-round, geometric, modular, extended, blunt.
A heavy, extended sans built from rounded-rectangle geometry with consistent stroke thickness and softly squared corners. Counters are largely rectangular/superelliptical (notably in O, D, P, and 0), creating a modular, engineered rhythm across the set. The terminals are blunt and clean, with minimal contrast and tight internal spacing that emphasizes dark mass and stability. Lowercase follows the same boxy logic—single-storey a, compact e with a horizontal bar, and a squared g—while diagonals (V, W, X, Y) are crisp and angular against the rounded orthogonal structure.
Best suited to display roles where impact and a tech/industrial flavor are desired, such as logotypes, headlines, posters, product packaging, and interface titling. It can work for short UI labels and wayfinding-style text when sizes are generous, but its dense forms and wide proportions make it less ideal for long reading passages.
The overall tone is modern and machine-made, reading as tech-forward and utilitarian rather than friendly or calligraphic. Its wide stance and squared curves suggest speed, hardware interfaces, and contemporary industrial branding.
The letterforms appear designed to translate a rounded-rectangle system into a bold, extended wordmark style, prioritizing consistency, solidity, and a contemporary techno aesthetic. The goal seems to be a highly legible, brandable display sans that feels precise and engineered.
The design leans on rounded corners and rectangular counters to keep shapes highly consistent, which helps short words and acronyms feel cohesive. Numerals mirror the same squarish construction; the 0 is especially rounded-rect and the 2/3 use flat horizontals with curved shoulders, reinforcing the font’s modular logic.