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Sans Superellipse Horuj 8 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Robofan' by César Puertas and 'Alfaqix Ellipsoid' by Typodermic (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, logotypes/wordmarks (text), techno, industrial, game ui, futuristic, authoritative, display impact, tech aesthetic, modular system, strong silhouette, squared, rounded corners, stencil-like, modular, compact counters.


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A heavy, geometric sans built from squared-off, rounded-rectangle forms. Strokes are broadly uniform with tight apertures and compact internal counters, producing a dense, punchy texture. Many joins and terminals resolve into crisp right angles, while corners are softened with consistent radiusing; several shapes show strategic cut-ins and notches that create a quasi-stencil, engineered feel. Curves are minimized in favor of superelliptic bowls and squarish ovals, and diagonals appear restrained and blocky, reinforcing a modular rhythm across uppercase, lowercase, and numerals.

Well suited to display typography where impact and a technical voice are desired—headlines, posters, packaging, esports/game UI graphics, and brand marks that benefit from a squared, futuristic silhouette. It can also work for labels and short UI headings where strong contrast against a background is needed, while longer body text may require generous size and spacing.

The overall tone is bold and mechanical, with a distinctly digital, sci‑fi edge. It reads as utilitarian and assertive—more like signage or interface lettering than traditional editorial typography—conveying control, strength, and a contemporary tech aesthetic.

The design appears intended to merge superelliptic geometry with an engineered, semi-stenciled detailing to create a modern, industrial display sans. Its consistent corner treatment and compact counters prioritize a strong silhouette and a recognizable, tech-forward character.

In text, the face maintains strong presence and a steady cadence, but the narrow openings and small counters can make long passages feel dark and compact. The design’s characteristic notches and squared curves add personality that stands out most at display sizes and in short bursts of copy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸