Sans Other Uldi 8 is a regular weight, narrow, low contrast, italic, normal x-height font.
Keywords: headlines, posters, branding, sports, packaging, dynamic, retro, sporty, quirky, energetic, add motion, stand out, retro-tech styling, display impact, slanted, condensed, angular, cut-in, segmented.
A slanted, condensed sans with low-contrast strokes and a distinctly engineered feel. Many letters feature deliberate breaks or cut-in notches that interrupt strokes, creating a segmented rhythm across the alphabet. Curves are slightly squarish and tightened, with compact counters and brisk joins that keep forms upright in structure while the overall italic angle drives motion. Numerals follow the same cut-and-slice logic, producing a consistent, stylized texture in both display sizes and short text settings.
Best suited for headlines, posters, and brand marks where the segmented italic forms can function as a recognizable motif. It also fits sports, automotive, and tech-adjacent graphics, as well as packaging or apparel where a fast, stylized voice is desirable. In text, it works most comfortably in short bursts such as pull quotes, labels, and UI accents rather than extended reading.
The overall tone is fast and punchy, with a retro-tech attitude that reads as purposeful and a bit unconventional. The repeated internal cuts add a quirky edge—part industrial, part sporty—giving text a sense of motion and visual grit without feeling heavy.
The design appears intended to combine an italic, condensed sans foundation with systematic internal cuts to create speed and distinction. The goal seems to be a display-forward voice that remains structurally simple while gaining character through repeated, intentional disruptions in the strokes.
The cut-in details become a defining texture in running text, where the repeated interruptions create a staccato pattern; this can be a strong branding signature but may feel busy at very small sizes or in long passages. Uppercase and lowercase share a cohesive slanted construction, and the rounded letters (like C, G, O, S) show consistent segmentation that reinforces the font’s identity.