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Free for Commercial Use

Sans Normal Obgup 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Akzidenz-Grotesk Next' by Berthold, 'Nure' by FSD, 'Peridot Latin' and 'Peridot PE' by Foundry5, 'Applied Sans' by Monotype, and 'NeoGram' by The Northern Block (names referenced only for comparison).

Keywords: headlines, posters, branding, signage, packaging, confident, friendly, modern, playful, loud, high impact, approachability, clarity, modern branding, rounded, heavy, blocky, geometric, compact.


Free for commercial use
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This typeface is a heavy, rounded sans with compact counters and strongly simplified geometry. Curves are built from broad, even strokes with minimal contrast, producing smooth bowls and thick joins that keep interiors relatively small. Terminals are generally blunt and squared-off, while many curved forms show gentle rounding that softens the overall mass. The rhythm is sturdy and steady, with clear, straightforward letter construction and figures that share the same dense, high-impact presence.

It performs best where impact and quick recognition matter: headlines, posters, large-format signage, and bold brand moments. The sturdy shapes also suit packaging and short UI labels where a confident, friendly presence is desired. For longer reading or small sizes, it’s most effective when given ample size and spacing.

The tone is bold and approachable, projecting confidence without feeling sharp or severe. Its rounded massing and simplified shapes give it an upbeat, slightly playful character that reads as contemporary and attention-seeking. Overall it feels suited to messaging that wants to be direct, friendly, and unmissable.

The design appears intended to deliver maximum visual emphasis through dense, simplified letterforms and rounded geometry, balancing assertive weight with approachable curves. It prioritizes strong silhouettes and a uniform, modern feel to support bold display typography.

In text settings, the weight creates strong texture and a dark typographic color, especially in longer lines. The compact counters and thick joins can make similar shapes feel close at smaller sizes, while larger sizes emphasize the clean geometry and punchy silhouettes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸