Sans Other Obny 2 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Leco 1976' by CarnokyType, 'Informational Sign JNL' by Jeff Levine, 'Stallman Round' by Par Défaut, and 'Jetlab' by Swell Type (names referenced only for comparison).
Keywords: headlines, posters, logos, game ui, packaging, industrial, techno, arcade, brutalist, military, impact, machined look, retro tech, signage, angular, blocky, chiseled, notched, geometric.
A heavy, block-constructed sans with sharp, angular geometry and uniform stroke weight. Letterforms are built from squared-off modules with frequent diagonal chamfers and small notches that create a cut, machined look. Counters are compact and often rectangular, producing a tight internal rhythm and strong silhouette presence. Spacing and widths vary noticeably across glyphs, with chunky, set-like forms and minimal curvature throughout.
Best suited to short, prominent settings such as headlines, posters, wordmarks, and product titles where its angular silhouettes can carry the message. It also fits game UI, sci‑fi/industrial themed graphics, and bold labeling that benefits from a rugged, technical texture. For longer passages, larger sizes and generous spacing help maintain clarity.
The overall tone is forceful and mechanical, evoking industrial signage, retro arcade graphics, and sci‑fi interface labeling. Its hard corners and carved-in details suggest toughness and precision rather than friendliness or softness. The texture reads assertive and attention-grabbing, with a distinctly constructed, engineered personality.
The design appears intended to deliver maximum visual punch through compact counters, squared construction, and chamfered terminals, creating a strong, machine-cut aesthetic. Its consistent stroke weight and geometric discipline aim for a bold, iconic presence in display typography.
At text sizes the sharp joins and small interior apertures make the texture dense, so it reads best where impact matters more than prolonged comfort. The lowercase follows the same modular logic as the uppercase, emphasizing a unified, display-first character.