Sans Superellipse Dunod 6 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Alaturka' by Bülent Yüksel (names referenced only for comparison).
Keywords: ui labels, product branding, headlines, editorial leads, signage, modern, sleek, technical, calm, refined, modern utility, friendly tech, clean emphasis, brand distinctiveness, rounded, oblique, monoline, soft corners, open counters.
This typeface is a smooth oblique sans with rounded, superellipse-like curves and softly squared terminals. Strokes read largely monoline with gentle modulation, and curves transition cleanly into straighter segments, giving many letters a rounded-rectangle geometry. Counters are open and broadly proportioned, while diagonals and joins are crisp, producing a tidy, controlled rhythm across words. Numerals follow the same rounded construction with clear, uncomplicated forms.
It suits interface and product contexts where a friendly, contemporary oblique is needed—navigation labels, dashboards, and feature callouts. The rounded construction also works well for brand marks and packaging that aim for a clean, tech-adjacent feel. In editorial settings, it can add motion and emphasis in headlines, standfirsts, and pull quotes without becoming decorative.
The overall tone feels modern and composed, with a subtle technological polish from its rounded-rectilinear curves. Its slanted posture adds forward motion without becoming expressive or calligraphic, keeping the voice clean and efficient. The softness in corners makes it approachable while still reading as precise.
The design appears intended to blend clarity with a softened geometric voice: a streamlined oblique sans that stays neutral but distinctive through superellipse-inspired rounding. It prioritizes consistent rhythm and smooth curves for a coherent, modern texture in both display and short text.
The design’s consistency comes from repeated soft-corner decisions and even stroke color, which helps headings look cohesive. The oblique angle is steady and uniform, and the forms remain clear at text sizes thanks to generous apertures and straightforward shapes.