Sans Other Apjo 10 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Glober' by Fontfabric, 'Engrez' by Indian Type Foundry, and 'Absolut Pro' by Ingo (names referenced only for comparison).
Keywords: headlines, posters, packaging, logos, signage, playful, chunky, friendly, retro, cartoonish, display impact, approachability, brand distinctiveness, retro flavor, rounded, soft terminals, compact, bouncy, quirky.
A heavy, compact sans with rounded corners and soft, slightly irregular terminals that give the forms a molded, hand-cut feel. Strokes stay broadly even, with minimal contrast and a generally upright stance, but the geometry is intentionally relaxed: counters are rounded and sometimes compressed, and joins show gentle bulging rather than sharp intersections. Curves are wide and squat (notably in C, S, and O), while verticals read sturdy and slightly tapered in places, creating a lively, uneven rhythm across the alphabet. Lowercase forms are simplified and robust, with single-storey a and g and short, thick arms and spurs; figures are equally chunky, with closed, rounded bowls and blunt endings.
Best suited to headlines, posters, labels, and logo wordmarks where a bold, friendly voice is desirable. It also works well for signage and large UI moments (feature banners, splash screens) where strong silhouette recognition matters more than quiet text flow.
The overall tone is warm and humorous, leaning toward a retro display personality. Its bouncy shapes and softened corners feel approachable and informal, evoking packaging, signage, and playful branding rather than sober editorial typography.
The design appears intended as an attention-getting display sans that combines very heavy weight with softened, rounded construction to project approachability. Its quirks and compressed counters suggest a goal of creating a distinctive, memorable rhythm for branding and short messaging.
Spacing appears generous for such dense letterforms, which helps the black shapes stay legible in short bursts. The design’s intentional irregularity is most apparent at curves and diagonals (e.g., K, V, W, X), where the stroke endings feel slightly carved, reinforcing a handmade, poster-like character.