Sans Normal Oknez 3 is a bold, wide, low contrast, upright, tall x-height font visually similar to 'Realgar' by Emtype Foundry, 'HD Canton' by HyperDeluxe, 'Logirent' by Letterhend, 'Jindo' by Nine Font, 'Neue Rational Standard' by René Bieder, and 'Bassen' and 'Cogenta Text' by SRS Type (names referenced only for comparison).
Keywords: headlines, branding, posters, ui labels, signage, modern, confident, clean, friendly, neutral, impact, clarity, modernity, approachability, geometric, rounded, heavy, compact joins, open counters.
This is a heavy, contemporary sans with smooth, rounded construction and a mostly geometric skeleton. Strokes are consistently thick with minimal modulation, producing dense letterforms with clear, open counters and stable, upright posture. Curves on C/G/O/Q are clean and nearly circular, while joins in letters like n/m and k are compact and sturdy. Terminals are predominantly straight and blunt, and the overall rhythm is even and blocky, with a large x-height and strong presence in text.
Best suited to headlines, short copy, and brand statements where a strong, clean sans presence is desired. It also works well for UI labels, product packaging, and signage thanks to its sturdy shapes and clear counters that hold up in bold settings.
The font projects a straightforward, modern tone that feels confident and practical rather than expressive. Its rounded geometry softens the weight, giving it an approachable, friendly neutrality suitable for contemporary branding and interface language.
The design appears intended to deliver an assertive, contemporary sans for high-impact typography, prioritizing clarity and uniformity with rounded, geometric forms that remain readable and friendly at large sizes.
Figures are robust and highly legible, with simple, unornamented shapes and consistent spacing that keeps lines of text looking solid and continuous. The sample text shows strong word-shape retention at display sizes, with clear differentiation between round and straight-sided forms and no decorative distractions.