Sans Superellipse Abmiv 1 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'FF Page Sans' by FontFont, 'FS Silas Sans' by Fontsmith, 'Epoca Classic' by Hoftype, 'PF Adamant Sans Pro' by Parachute, and 'PTL Maurea' by Primetype (names referenced only for comparison).
Keywords: ui, product design, signage, editorial, branding, clean, modern, neutral, friendly, technical, clarity, versatility, modernity, approachability, geometric, rounded, even rhythm, crisp, open counters.
A clean geometric sans with softly squared curves and rounded terminals, giving many letters a superelliptical, rounded-rectangle feel. Strokes are uniform with minimal modulation, and the overall construction is orderly and consistent. Counters are open and simple, with circular-to-squarish bowls in letters like O, C, and e, and straightforward, uncluttered joins in n, m, and h. The lowercase shows a single-storey a and g, compact shoulders, and a short, flat-topped t, while numerals are plain and readable with a notably rounded 8 and open, balanced 2 and 3.
Well-suited to interface typography, product and system branding, and general-purpose text where a clean, contemporary sans is needed. Its consistent stroke weight and open forms also work well for labels, wayfinding, and short editorial passages, delivering a stable rhythm at larger and medium sizes.
The tone is contemporary and matter-of-fact, with a calm neutrality that reads as professional rather than expressive. The rounded geometry adds approachability, keeping it from feeling overly rigid or stark, while still maintaining a precise, engineered character.
The design appears intended as a versatile, modern workhorse sans that emphasizes clarity and consistency while incorporating rounded-rectangle geometry for a friendly, up-to-date feel.
Proportions and spacing feel even, producing a steady text color in the sample paragraph. The shapes favor clarity over personality, with high legibility and minimal stylistic distractions; the rounded-square logic is especially apparent in the round letters and the squarish inner counters.