Sans Superellipse Fogun 1 is a very bold, wide, low contrast, italic, tall x-height font visually similar to 'Core Sans M' by S-Core and 'Geon' and 'Geon Soft' by cretype (names referenced only for comparison).
Keywords: headlines, posters, sports branding, app ui, packaging, sporty, punchy, modern, energetic, confident, impact, momentum, branding, legibility, modernity, oblique, rounded, soft corners, bulky, compact counters.
A heavy oblique sans with rounded-rectangle (superellipse) construction and consistently softened corners. Strokes are thick and uniform, with compact internal counters and sturdy joins that keep shapes solid at display sizes. Curves and bowls lean toward squarish rounds, while terminals stay clean and blunt rather than tapered. The overall rhythm is tight and forward-slanted, giving letters a dense, continuous texture with minimal delicate detail.
Best suited to display contexts where strong presence and speed are desired: headlines, posters, sports and fitness branding, product packaging, and attention-grabbing UI labels. It can also work for short bursts of copy (calls to action, buttons, section headers) where dense, high-impact letterforms improve visibility.
The tone is assertive and energetic, with a sporty, contemporary feel driven by the strong slant and chunky geometry. Rounded corners temper the mass, adding approachability while still reading bold and headline-ready. Overall it suggests momentum, impact, and modern branding rather than quiet text typography.
The design appears intended to deliver a modern, high-impact oblique sans that combines muscular weight with friendly rounded geometry. Its superellipse shapes and blunt terminals aim for a clean, contemporary look while the strong slant communicates motion and urgency for branding-led typography.
Uppercase forms feel stable and blocky, while lowercase maintains the same robust build with prominent round-rect bowls (notably in o/e) and a single-storey a. Numerals match the same squarish curvature and weight, staying cohesive with the letters. The oblique angle is pronounced enough to read as intentionally dynamic in both short phrases and longer sample text.