Sans Other Abloj 14 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'AKsans' by AKTF, 'Dexa Pro' by Artegra, 'Salda' by Hurufatfont, 'Organetto' by Latinotype, 'Nusara' by Locomotype, 'Arthura' by Seniors Studio, and 'Anteb' by Typesketchbook (names referenced only for comparison).
Keywords: posters, headlines, packaging, kids branding, stickers, playful, quirky, chunky, friendly, loud, attention grabbing, friendly tone, handmade feel, display impact, youthful branding, rounded, bouncy, wonky, cartoonish, soft corners.
A heavy, rounded sans with compact counters, soft corners, and subtly uneven geometry that creates a bouncy rhythm. Strokes are consistently thick with minimal contrast, while terminals often feel slightly blunted or angled, giving shapes a hand-cut, irregular finish. The lowercase shows single-storey forms and a sturdy, blocky build; the numerals match the same chunky proportions and simplified silhouettes for strong visual continuity. Overall spacing reads solid and poster-forward, favoring bold silhouettes over fine detail.
Best suited to display contexts where personality and impact matter—posters, headlines, packaging, and bold social graphics. It can work well for playful brand identities (especially youth-leaning or snack/entertainment categories) and short bursts of copy, where its chunky forms remain readable and expressive.
The font projects an upbeat, mischievous tone—more fun than formal—through its wobbly stance and soft, cartoon-like massing. Its exaggerated weight and gentle rounding make it feel approachable and energetic, with a lighthearted, slightly rebellious edge that suits attention-grabbing messaging.
The design appears intended as a characterful, high-impact sans that borrows from hand-drawn or cut-paper sensibilities while staying broadly sans in construction. It prioritizes friendliness and immediacy, using heavy shapes and subtle irregularity to create a distinctive, informal voice.
The design leans on silhouette clarity: bowls and apertures stay relatively tight, and several letters exhibit slight angularities that keep the texture lively rather than mechanically uniform. At larger sizes the irregularities become a feature, adding personality and motion to lines of text.