Sans Normal Tymok 2 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Proza' by Bureau Roffa and 'MarkusLow' by The Northern Block (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, playful, friendly, retro, chunky, bouncy, attention grabbing, approachability, display impact, retro flavor, playfulness, soft corners, puffy, compact apertures, teardrop terminals, quirky.
A heavy, rounded display sans with compact internal counters and a soft, inflated silhouette. Strokes are broadly consistent with subtle modulation, and many joins and terminals resolve into gently tapered, teardrop-like shapes rather than blunt cuts. Curves are generous and slightly irregular in a lively way, giving letters a springy rhythm; bowls tend toward near-circular forms while diagonals and arms feel thick and supportive. Overall spacing appears sturdy and even, producing dense, high-impact word shapes in text settings.
Performs best as a display face for headlines, posters, logos, and packaging where a friendly, high-impact voice is needed. It’s well suited to retail signage, entertainment promotions, and product names that benefit from a chunky, inviting look. For body copy, it works more as a short, bold accent—pull quotes, labels, or callouts—than extended reading.
The font reads warm and approachable, with a buoyant, cartoon-like confidence. Its rounded massing and quirky tapering details evoke a retro sign-painting and poster sensibility—more fun and personable than neutral or technical. The texture feels energetic and celebratory, suited to attention-grabbing, upbeat messaging.
The design appears intended to deliver maximum visual presence while staying approachable, using rounded geometry and tapered terminal details to create a distinctive, upbeat texture. Its forms prioritize personality and punch in large sizes, aiming for memorable, poster-like word shapes rather than quiet neutrality.
Distinctive tapered terminals show up frequently on letters like r, t, y, and z, adding a handmade flavor without becoming script-like. Apertures are relatively tight in several lowercase forms, and the numerals share the same soft, weighty construction for cohesive headline use. In longer passages, the dense counters and bold texture can dominate, so size and line spacing become important for clarity.