Hollow Other Vihy 7 is a very bold, wide, high contrast, upright, normal x-height font.
Keywords: headlines, posters, packaging, kids branding, stickers, playful, quirky, retro, cartoony, handmade, standout display, playful branding, textured novelty, retro fun, rounded, blobby, soft corners, chunky, spotted texture.
A chunky, rounded display face with inflated, blobby silhouettes and soft, fully curved terminals. Strokes are heavy and simplified, with minimal modulation, and the counters are generous and mostly circular or oval. A defining feature is the irregular pattern of small interior knockouts and speckled cut-ins that create a distressed, bubbly texture across many letters and numerals. The overall spacing reads open and friendly, while individual glyph widths vary to preserve an organic rhythm.
This font suits short, bold applications such as posters, product packaging, playful branding, stickers, and social graphics where texture is an asset. It works especially well for headlines, logos, and large pull quotes, and is likely to lose its distinctive interior detailing at small sizes or in dense text.
The texture and swollen shapes give the font a humorous, lighthearted tone that feels casual and attention-seeking. The scattered cutouts add a crafty, imperfect character—somewhere between comic signage and retro novelty lettering—making it feel energetic rather than formal.
The design appears intended to deliver maximum impact through oversized rounded forms, then add personality via irregular hollowed details that suggest a stamped, foamy, or confetti-like surface. Its construction prioritizes friendliness and novelty over restraint, aiming for a distinctive display voice that remains legible at larger sizes.
Uppercase and lowercase share the same soft, rounded construction, helping the design feel consistent in mixed-case settings. The numerals keep the same inflated geometry and textured knockouts, matching the alphabet for cohesive titling. The irregular interior cutouts are decorative rather than subtle, so the face reads best when set with ample size and contrast against the background.