Sans Superellipse Vudi 3 is a regular weight, very wide, monoline, upright, normal x-height font.
Keywords: ui design, branding, headlines, signage, packaging, futuristic, technical, clean, modern, streamlined, geometric system, modern utility, tech aesthetic, clarity, squared-rounded, low contrast, open counters, high legibility, geometric.
A wide, monoline sans built from squared-off curves and superellipse-like rounds, giving bowls and corners a soft-rectangular feel rather than true circles. Strokes maintain an even thickness with crisp terminals and consistently rounded outer corners, creating a smooth, machined rhythm. Uppercase forms are broad with generous internal space, while lowercase follows the same geometry with simplified, sturdy joins and an even, horizontal stress. Numerals echo the same rounded-rectangle logic, with clear segmentation and ample counters that keep shapes distinct at a glance.
This face suits UI and product contexts where clarity and a modern, technical flavor are desired, especially in titles, navigation, labels, and display-sized text. Its broad letterforms and open counters also make it a strong candidate for signage and wayfinding-style applications, as well as contemporary brand systems and packaging where a streamlined, geometric voice is useful.
The overall tone is sleek and technology-forward, balancing friendliness from the rounded corners with a precise, engineered discipline. Its wide stance and softened rectangular curves evoke interfaces, devices, and transport signage—contemporary and efficient rather than expressive or calligraphic.
The font appears designed to translate rounded-rectangle geometry into a practical sans that reads cleanly while retaining a distinctive, futuristic signature. Its uniform stroke and controlled corner treatment suggest an intent to feel systematized and reliable, optimized for contemporary digital and industrial aesthetics.
The design relies on consistent corner radii and squared bowls, which produces a distinctive “rounded-square” silhouette across letters like C, G, O, Q, and S. Diagonals (such as in V, W, X, Y, Z) are clean and sharp, adding contrast against the more padded curved forms without breaking the unified geometric system.