Sans Superellipse Hagof 6 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'Black Square' by Agny Hasya Studio, 'Plasma' by Corradine Fonts, 'Obvia Wide' by Typefolio, and 'Alfaqix Algorithm' by Typodermic (names referenced only for comparison).
Keywords: headlines, branding, logos, posters, signage, tech, futuristic, industrial, sporty, clean, impact, modernity, clarity, systematic, squared, rounded, geometric, modular, compact.
A geometric sans with squared, superellipse-like bowls and generously rounded corners throughout. Strokes are heavy and uniform, with crisp terminals and minimal modulation, creating a solid, blocky texture. Counters tend toward rounded-rectangular shapes, and many curves resolve into flattened arcs rather than fully circular forms. Proportions feel slightly expanded with stable, straight-sided verticals and broad horizontals, producing an even, confident rhythm in words and lines.
This font performs best in headlines and short-form copy where its chunky geometry can read clearly and set a strong tone. It is a good fit for tech and gaming visuals, sports or automotive-style graphics, packaging, and wayfinding/signage where sturdy shapes and simplified counters help maintain clarity.
The overall tone is modern and machine-made, with a streamlined, tech-forward character. Its rounded-square construction keeps it friendly while still reading as robust and engineered. The result feels well suited to interfaces, equipment labeling, and contemporary branding where clarity and impact are priorities.
The design appears intended to translate a rounded-rectangular, industrial geometry into an approachable sans, balancing strict construction with softened corners. It prioritizes immediate legibility and a distinctive, system-like silhouette that stands out in display contexts.
The design language is highly consistent across uppercase, lowercase, and numerals, with repeated rounded-corner motifs that unify the set. Several letters show purposeful squaring of curves (e.g., in bowls and shoulders), reinforcing a modular, display-oriented aesthetic that remains legible at larger sizes.