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Sans Superellipse Gygul 16 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'QB One' by BoxTube Labs (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, techy, industrial, futuristic, confident, playful, impact, modernity, robustness, legibility, modularity, rounded, blocky, squarish, geometric, compact.


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A heavy, geometric sans built from rounded-rectangle (superellipse) forms with broad, even strokes and minimal modulation. Corners are generously radiused, terminals are mostly flat, and counters tend toward squared bowls, producing a sturdy, compact rhythm. Curves are tightened into squarish arcs (notably in O/C/G and the digit set), while joins and diagonals are simplified for a clean, modular silhouette. Spacing appears fairly tight and consistent, supporting dense setting without losing the distinct rounded-block character.

Best suited to display contexts such as headlines, posters, sports or tech branding, packaging, and bold signage where its rounded-block geometry can read as a distinctive shape. It can work for short UI labels or navigational elements when set with adequate size and spacing, but its dense, chunky forms are primarily optimized for impactful, attention-grabbing typography.

The overall tone is modern and engineered, evoking digital interfaces, industrial labeling, and sci‑fi display typography. Its softened corners keep the feel approachable, balancing toughness with a mildly playful, toy-like geometry.

The design intention appears to be a contemporary, superelliptical display sans that maximizes punch and legibility through simplified, high-mass shapes and consistent rounding. It aims to deliver a robust, modern voice that feels both mechanical and friendly, with letterforms that prioritize iconic silhouettes over delicate detail.

The alphabet shows a clear preference for rectilinear construction—especially in E/F/L/T and the numerals—paired with superelliptical rounding to avoid sharpness. The lowercase maintains the same boxy logic, creating strong stylistic cohesion between cases; punctuation and text samples suggest it performs best when allowed some breathing room at larger sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸