Sans Superellipse Huday 3 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Timeout' by DearType, 'Paint Store JNL' and 'Sign Stickers JNL' by Jeff Levine, 'MVB Diazo' by MVB, and 'Greeka' by Umka Type (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, punchy, playful, compact, retro, sturdy, high impact, space saving, friendly geometry, display clarity, retro flavor, rounded, blocky, soft corners, tight, dense.
A compact, heavy sans with rounded-rectangle construction and softened corners throughout. Strokes are consistently thick with minimal modulation, producing dense, dark letterforms and sturdy verticals. Curves tend to resolve into squarish bowls and counters, and joins are blunt and confident, giving a slightly condensed rhythm with tight internal space. Numerals match the same robust, rounded-square logic, reading clearly at display sizes with a strong, uniform silhouette.
Best suited to headlines, posters, and branding moments where strong presence and quick recognition are needed. It works well on packaging, signage, and bold UI labels that benefit from compact width and clear silhouettes. For longer passages, its dense texture and tight counters suggest using larger sizes and generous line spacing.
The overall tone is bold and assertive but friendly, mixing a poster-like impact with a softened, approachable geometry. Its rounded corners and squarish bowls evoke a retro, sign-painting and mid-century display sensibility without feeling delicate. The texture is energetic and compact, lending a slightly cheeky, attention-grabbing voice.
Likely designed to deliver maximum impact in a compact width while keeping the feel friendly through rounded corners and superelliptical curves. The consistent, low-modulation stroke treatment prioritizes solidity and uniform color, aiming for confident display typography with a retro-leaning geometric character.
The lowercase shows simple, single-storey forms where applicable and relies on large stems and compact counters, which increases visual weight and presence. Shapes like S, G, and e emphasize the superelliptical, rounded-rectangle motif, keeping the family’s geometry consistent across straight and curved letters.