Sans Faceted Rasi 2 is a bold, normal width, monoline, upright, normal x-height font.
Keywords: posters, headlines, logos, album art, game titles, edgy, playful, punk, hand-cut, comic, attention grabbing, stylized edge, geometric bite, tactile cutout, angular, faceted, jagged, chiseled, stencil-like.
A sharply angular, faceted display face built from straight strokes and hard corners, with curve forms replaced by planar cuts and diamond-like counters. Stems keep a largely even stroke weight, while terminals end in abrupt wedges and notches that create a carved, hand-cut silhouette. Proportions are compact with a slightly irregular rhythm across letters, and the digit set follows the same fractured geometry, favoring pointed joins and segmented bowls. Overall spacing reads moderately open for a display style, helping the busy edges remain distinct at larger sizes.
Best suited to short, high-impact settings such as posters, headlines, title cards, packaging accents, and logo/wordmark work where the angular detailing can be appreciated. It also fits entertainment contexts—game titles, music artwork, event promos—where a spiky, playful voice helps set the mood. For longer passages, it works more as a decorative accent than as body text.
The font projects an energetic, rebellious tone with a mischievous, game-like bite. Its fractured geometry feels loud and tactile—more cut-paper or chiseled than engineered—making it come across as bold, attention-seeking, and slightly chaotic in a controlled way.
The design appears intended to deliver a distinctive, faceted look that replaces traditional curves with sharp planar cuts, creating a bold display texture and memorable letter silhouettes. The consistent straight-stroke construction suggests a goal of maintaining coherence while still embracing a deliberately roughened, energetic edge.
The alphabet mixes strong diagonals with occasional deep interior cuts that create distinctive silhouettes, especially in rounded letters where counters become diamonds or angled apertures. The texture of repeated notches and wedge terminals adds a rhythmic “shard” pattern across words, which becomes a prominent visual feature in continuous text.