Sans Superellipse Omgad 11 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'Directory Board JNL' by Jeff Levine, 'Enamela' by K-Type, 'Nulato' by Stefan Stoychev, and 'Gemsbuck Pro' by Studio Fat Cat (names referenced only for comparison).
Keywords: headlines, posters, packaging, logos, signage, industrial, retro, utilitarian, technical, space saving, high impact, systematic, modernized retro, rounded, squared, sturdy, condensed, geometric.
A condensed geometric sans with a squared, superellipse construction and heavily rounded corners. Strokes are uniform and robust, with mostly closed apertures and compact counters that keep the texture dense and even. Curves resolve into rounded-rectangle arcs rather than true circles, and joins stay clean and mechanical, producing a consistent, blocky rhythm across upper- and lowercase. Numerals share the same compact, squared geometry, reading sturdy and tightly set.
Best suited for headlines, posters, packaging, and logo wordmarks where a compact, high-impact voice is needed. It also works well for signage and UI labels that benefit from tight width and sturdy forms, especially in short strings such as navigation, badges, and product identifiers.
The overall tone feels industrial and practical, like labeling on equipment, wayfinding, or product marks. Its rounded-square geometry adds a friendly softness to an otherwise strict, engineered structure, giving it a retro-tech flavor without becoming playful.
The design appears intended to deliver maximum visual strength in limited horizontal space, using a rounded-rectangular geometry to maintain a cohesive, manufactured look. Its consistent stroke weight and squared curves prioritize bold, immediate recognition over delicate detail.
Round letters and bowls lean toward a squarish silhouette, and terminals are typically blunt with softened corners, which helps preserve clarity at display sizes. The condensed proportions and dense counters create strong presence, but can look heavy in long passages compared to more open text faces.