Sans Superellipse Esred 6 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'CA Zentrum' by Cape Arcona Type Foundry; 'Navine' by OneSevenPointFive; 'Amsi Grotesk', 'Amsi Pro', and 'Amsi Pro AKS' by Stawix; 'Gemsbuck Pro' by Studio Fat Cat; 'Kommon Grotesk' by TypeK; and 'From the Internet' by Typodermic (names referenced only for comparison).
Keywords: sports branding, tech ui, automotive, packaging, headlines, sporty, technical, modern, dynamic, utilitarian, modernize, add momentum, maximize clarity, system coherence, oblique, rounded, compact, sturdy, clean.
A rounded, oblique sans with squared-off curves that read as superelliptical rather than purely circular. Strokes are monoline and sturdy, with softened corners throughout and a slightly condensed, compact footprint in many glyphs. Counters are fairly open and the geometry is consistent, giving the set a clean, engineered rhythm. The lowercase shows simple, single-storey forms (notably a and g), while the figures are robust and shaped to hold up at display sizes.
Well-suited to sports and performance branding, tech-forward interfaces, and product environments where a clean, engineered voice is needed. It also works effectively for short headlines, signage, and packaging where the rounded geometry and oblique stance can add momentum without sacrificing clarity.
The overall tone feels sporty and technical, with an energetic forward slant and a purposeful, machine-made smoothness. Its rounded-rectangle construction keeps it friendly, but the compact geometry and firm terminals push it toward performance and utility rather than playfulness.
The design appears intended to combine a modern, utilitarian sans structure with a forward-leaning stance and superelliptical rounding, creating a contemporary display voice that remains controlled and readable. Consistent geometry across letters and numerals suggests an emphasis on cohesion for branding systems and UI-forward typography.
Uppercase forms lean toward squared bowls and rounded shoulders, and the numerals echo the same softened-rectangle logic for a cohesive texture. The italic angle is consistent and legible in longer text, producing a steady diagonal cadence without looking calligraphic.