Sans Superellipse Abdit 9 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Due' by Cadson Demak, 'Moris' by Katatrad, 'Akwe Pro' by ROHH, and 'Sans Beam' by Stawix (names referenced only for comparison).
Keywords: ui text, product design, branding, editorial, signage, modern, clean, neutral, friendly, systematic, legibility, modernization, approachability, geometric, rounded, superelliptic, even, monoline.
A clean, monoline sans with geometry built from rounded-rectangle (superellipse) curves rather than perfect circles. Strokes maintain very even thickness with minimal contrast, and terminals are crisp and straight, giving the design a tidy, engineered feel. Round letters like C, O, and Q show squarer bowls with softened corners, while counters are open and consistent. Lowercase forms are simple and functional; the single-storey a and g, rounded shoulders, and compact apertures support a smooth reading rhythm. Numerals are straightforward and well-proportioned, with a notably squared, open 4 and rounder forms that still follow the softened-rectangular logic.
Well-suited to user interfaces, dashboards, and product typography where steady rhythm and clear shapes matter. Its clean geometry also works for contemporary branding, headings, and supporting editorial text, and it should hold up effectively in wayfinding and general signage when set with adequate size and spacing.
The overall tone is contemporary and matter-of-fact, with a subtle friendliness coming from the rounded geometry. It reads as calm and dependable rather than expressive, making it feel at home in modern digital interfaces and brand systems that aim for clarity without starkness.
The letterforms suggest an intention to blend geometric rigor with approachable rounding—prioritizing clarity, consistency, and a modern system-friendly look. The superelliptic curves and even stroke weight point to a design meant to feel cohesive across both display and text settings without drawing attention to stylistic quirks.
The design leans toward geometric construction while avoiding cold rigidity through consistently softened corners and generous, stable curves. Spacing appears balanced in the sample text, producing an even color in paragraphs and a crisp, legible texture at larger sizes.