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Free for Commercial Use

Sans Normal Yinih 11 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'FS Jack' by Fontsmith, 'American Auto' by Miller Type Foundry, and 'Boulder' by Umka Type (names referenced only for comparison).

Keywords: posters, headlines, packaging, stickers, event promo, rugged, playful, handmade, posterish, retro, display impact, handmade texture, retro poster, informal branding, rugged warmth, chunky, distressed, rounded, blobby, irregular.


Free for commercial use
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A heavy, rounded sans with thick strokes and visibly irregular edges that create a stamped or cutout look. Counters are generally compact and sometimes slightly pinched, while corners tend to be softened rather than sharp, giving the alphabet a chunky, “blobby” silhouette. The texture reads as organic and intentionally imperfect, with small nicks and waviness along verticals, curves, and terminals. Spacing appears sturdy and headline-oriented, with simplified forms that favor bold mass over delicate detail.

Best suited for short, high-impact settings such as posters, headlines, logos, packaging, and promotional graphics where the distressed edge can be appreciated. It works well for playful branding, handmade or craft-themed materials, and bold display typography in print or digital. For longer passages, it will be most effective when set large with generous spacing.

The font conveys a bold, playful roughness—more craft and street-poster than polished corporate. Its distressed contours add warmth and personality, suggesting a handmade process and a casual, energetic tone. Overall, it feels friendly and attention-grabbing, with a slightly gritty, vintage-pop sensibility.

The design appears intended to deliver maximum visual impact with an intentionally rough, analog texture—combining simple rounded sans structures with a distressed, stamped finish. It prioritizes character and immediacy over neutrality, aiming for a bold display voice that feels handmade and approachable.

At text sizes the rough perimeter becomes a consistent texture, while at larger sizes the uneven edges and slightly varying stroke contours become a prominent stylistic feature. The numerals match the same chunky, softened construction, keeping a cohesive, punchy rhythm across letters and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸