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Free for Commercial Use

Sans Normal Yinos 6 is a very bold, normal width, high contrast, italic, normal x-height font visually similar to 'Muller' and 'Muller Next' by Fontfabric, 'Remora Corp' by G-Type, 'Mikado' by HVD Fonts, 'Akwe Pro' by ROHH, and 'Rohyt' by Typesketchbook (names referenced only for comparison).

Keywords: posters, headlines, packaging, album art, event promos, grunge, handmade, rugged, playful, retro, distressed display, print texture, handmade tone, attention grabbing, retro poster feel, rough edges, blotchy, inked, choppy, irregular.


Free for commercial use
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A heavy, slanted sans with compact, chunky silhouettes and visibly roughened contours. Strokes look as if they were printed or painted with a dry, uneven tool, producing ragged edges, small nicks, and occasional soft bulges that create a distressed texture. Counters are generally tight and simplified, and rounded letters take on slightly flattened, irregular curves. Spacing and sidebearings feel intentionally inconsistent, giving words a bouncy, hand-cut rhythm while maintaining clear, sturdy forms.

Best suited to display settings such as posters, event promotion, packaging, and merchandise where a bold, tactile look is desirable. It works well for short headlines, logos, and punchy callouts, and can add an intentionally imperfect, printed feel to branding or editorial openers.

The overall tone is gritty and analog, like a stamped poster or screen-printed headline with intentional wear. Its rough texture and forward lean add urgency and attitude, while the rounded, chunky shapes keep it approachable and slightly humorous.

The font appears designed to deliver a bold sans headline voice with an intentionally distressed, handcrafted surface. Its aim is to evoke printmaking and worn signage while keeping letterforms simple and robust for quick recognition.

The texture is consistent across uppercase, lowercase, and numerals, so the distressed effect reads as a core part of the design rather than occasional damage. The strong dark color and compressed counters make it most effective when set with generous tracking or at larger sizes where the edge detail can be appreciated.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸