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Sans Superellipse Madil 8 is a very bold, normal width, medium contrast, upright, tall x-height font visually similar to 'PODIUM Sharp', 'PODIUM Soft', and 'Sztos' by Machalski; 'Cleodify' by Namara Creative Studio; and 'Bigticy' by Présence Typo (names referenced only for comparison).

Keywords: headlines, posters, packaging, logos, display ui, playful, chunky, retro, friendly, punchy, high impact, friendly display, retro flavor, brandable, rounded, blocky, soft corners, compact, sturdy.


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A heavy, rounded sans with letterforms built from squarish bowls and softened corners, giving many glyphs a superellipse/rounded-rectangle footprint. Strokes are consistently thick with only subtle modulation, and counters are relatively small, producing dense, poster-ready silhouettes. Terminals are blunt and rounded; joins are smooth and simplified, favoring clear, geometric construction over calligraphic detail. The lowercase has a tall x-height and compact apertures, while the numerals follow the same chunky, rounded logic for a cohesive texture.

This font is best suited to display roles where impact and legibility at larger sizes matter: headlines, posters, branding marks, packaging, and bold labels. It can also work for short UI callouts or stickers/badges where a friendly, chunky tone is desired, but its dense counters and heavy color make it less ideal for long-form reading at small sizes.

The overall tone is bold and approachable, combining a toy-like softness with a strong, attention-grabbing presence. Its rounded geometry reads as friendly and slightly retro, with a sporty, headline-centric energy rather than a formal or technical voice.

The design appears intended to deliver maximum presence with a soft, rounded feel—using squared curves, compact counters, and simplified shapes to stay legible and consistent in bold display settings. The tall lowercase proportions and cohesive numeral styling suggest an emphasis on punchy messaging and branding consistency across mixed-case text.

Spacing and rhythm feel tight and weighty, creating a dark, even text color in lines of copy. The squared-off round letters (like O/C/G) and the broad, simplified diagonals (like V/W/Y) reinforce a sturdy, geometric personality that stays consistent across cases and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸