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Free for Commercial Use

Sans Normal Ohmun 2 is a bold, normal width, low contrast, upright, tall x-height font visually similar to 'Inerta' by Mint Type, 'Goga' by Narrow Type, 'SK Goldilocks' by Salih Kizilkaya, 'Europa Grotesk No. 2 SH' by Scangraphic Digital Type Collection, 'Clown' by Tereza Smidova, and 'Neue Alte Grotesk' by VisualWorks (names referenced only for comparison).

Keywords: headlines, branding, posters, signage, packaging, modern, confident, friendly, functional, clean, clarity, impact, versatility, modernization, geometric, rounded, sturdy, high legibility, even rhythm.


Free for commercial use
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A heavy, geometric sans with clean, uniform stroke weight and largely circular/elliptical bowls. Curves are smooth and generously rounded, while joins and terminals stay crisp and straightforward, creating a sturdy, contemporary texture. Proportions feel compact and efficient, with wide counters and clear apertures that keep letters open at display and text sizes. The overall spacing and rhythm read even and stable, producing a dense but highly legible line in paragraph settings.

This font performs best where clear, high-impact typography is needed: headlines, brand marks, advertising, posters, and wayfinding. Its open counters and steady rhythm also make it workable for short paragraphs, UI labels, and editorial subheads when a strong, contemporary sans presence is desired.

The tone is modern and self-assured, with a friendly neutrality that avoids feeling clinical. Its rounded geometry and strong presence give it an approachable, contemporary voice suited to direct communication and bold headlines.

The design appears aimed at delivering a versatile, geometric sans voice with maximum clarity and a confident visual footprint. It prioritizes consistent shapes, clean curves, and straightforward details to stay readable and recognizable across a wide range of modern applications.

Figures are strong and simple, matching the letterforms in weight and geometry for consistent emphasis in mixed text. Diacritics are not shown; the samples emphasize a cohesive, no-nonsense construction with smooth curves and minimal stylistic quirks.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸