Sans Normal Ohmat 14 is a bold, wide, monoline, upright, normal x-height font visually similar to 'Code Next' by Fontfabric, 'Madani' and 'Madani Arabic' by NamelaType, and 'Gilroy' by Radomir Tinkov (names referenced only for comparison).
Keywords: headlines, branding, posters, packaging, signage, friendly, modern, confident, clean, approachable, high impact, clear geometry, friendly modernity, brand voice, geometric, rounded, low-contrast, sturdy, open counters.
A heavy, geometric sans with low contrast and smooth, rounded curves paired with straight, firmly cut terminals. Proportions read slightly expanded with generous interior spaces, giving many letters open counters and a clear, even rhythm in text. The uppercase is broad and stable, while the lowercase keeps simple, single‑storey forms (notably a and g) and compact joins that maintain a solid, contemporary texture. Numerals follow the same robust, rounded construction, with clear differentiation and consistent stroke behavior across curves and diagonals.
This style works well for impactful headlines, brand marks and supporting wordmarks, posters, packaging, and signage where a sturdy geometric voice is helpful. It also fits UI and product typography for labels, buttons, and navigation when used with comfortable spacing and moderate sizes.
The overall tone is modern and approachable, with a confident, no-nonsense presence. Its rounded geometry and open shapes keep it friendly rather than severe, making it feel suitable for contemporary brands and interfaces that want clarity with warmth.
The design appears intended to deliver a contemporary geometric look with high visual density and friendly roundness, prioritizing clarity and punch. It aims for an even, consistent texture across mixed-case settings, making it suitable for bold messaging and modern identity systems.
The font’s weight and spacing create strong word silhouettes and high impact at display sizes, while the open apertures and simple forms help maintain legibility in short text. Diagonals (V, W, Y, K) and round letters (O, Q, G) appear carefully balanced to avoid looking top-heavy, contributing to a steady, composed color on the line.