Sans Superellipse Omboj 13 is a bold, very narrow, monoline, upright, normal x-height font visually similar to 'Fairweather' by Dharma Type, 'Bellfort' by GRIN3 (Nowak), 'Cairoli Classic' by Italiantype, 'Parkson' by Rook Supply, and 'Lupo' by Typoforge Studio (names referenced only for comparison).
Keywords: headlines, posters, signage, branding, packaging, industrial, condensed, assertive, utilitarian, modern, space saving, high impact, clarity, modern utility, blocky, rounded corners, compact, high contrast (shape), sturdy.
A compact, tightly set sans with tall, narrow proportions and a strong vertical rhythm. Strokes are uniform and heavy, with corners softened into rounded-rectangle curves rather than geometric circles, giving bowls and counters a superelliptical feel. Terminals are mostly flat and squared-off, and curves transition quickly into straight sides, producing a firm, engineered silhouette. Spacing appears economical and the overall texture reads dense but orderly, with clear differentiation between straight-sided forms (H, N, M) and the rounded characters (O, C, G) built from squarish curves.
Works best for short to medium-length display settings where condensed width and strong presence are useful: headlines, posters, labels, wayfinding, and bold brand wordmarks. It can also serve as a space-saving typographic accent in UI or editorial layouts when used sparingly at larger sizes.
The tone is direct and functional, with a slightly industrial confidence. Its condensed stance and sturdy shapes feel pragmatic and no-nonsense, leaning more toward signage and display utility than friendly softness despite the rounded corners.
Likely designed to deliver maximum impact in limited horizontal space, pairing a condensed skeleton with rounded-rectangle curves for a modern, engineered look. The consistent stroke weight and simplified shapes suggest an emphasis on clarity and repeatable rhythm for display typography.
Round letters maintain relatively narrow, vertically oriented counters, and the numerals follow the same condensed, squared-curve logic for consistency. The lowercase keeps a simple, workmanlike construction (single-storey a and g), reinforcing a straightforward, contemporary character.