Sans Superellipse Uhka 3 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Evanston Tavern' by Kimmy Design and 'Gemsbuck Pro' by Studio Fat Cat (names referenced only for comparison).
Keywords: headlines, posters, logos, sports branding, packaging, industrial, techy, sporty, confident, retro-futurist, impact, signage, branding, futurism, modularity, squared, rounded corners, blocky, modular, stencil-like counters.
A heavy, blocky sans with rounded-rectangle construction and softened corners throughout. Strokes are uniformly thick with compact apertures and angular joins that read as clipped or chamfered in places, giving letters a machined, modular feel. Rounds (O, C, G, 0) are drawn as squarish superellipses, and many counters are small and rectangular, emphasizing density and punch. The rhythm is wide and sturdy, with short extenders in the lowercase and simple, geometric figures that match the squared/rounded theme.
Best suited to large-scale settings where its dense shapes and squared curves can read cleanly: headlines, posters, team/sports branding, product packaging, and tech or industrial-themed identities. It can also work for short UI labels or navigation when set with generous spacing, but it is primarily a display face for impact.
The overall tone is assertive and functional, mixing industrial signage energy with a slightly futuristic, game-and-sports display attitude. Its dense forms and squared curves project strength and impact rather than delicacy, making it feel modern, engineered, and loud.
The design intention appears to be a compact, high-impact geometric sans built from rounded rectangles, prioritizing strong silhouettes and a consistent modular system. It aims to deliver an engineered, contemporary look that remains legible and cohesive across caps, lowercase, and numerals.
Several glyphs lean on inset, boxy counters (notably in B, D, O/0, P, R, 8, 9), which can create a subtle stencil-like impression at display sizes. The lowercase keeps the same geometric logic as the caps, reinforcing a unified, system-like character across the set.