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Sans Superellipse Uhmo 6 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Nicomedia' by Artegra, 'Kaisar' by Hazztype, 'Francker' and 'Francker Paneuropean' by Linotype, 'Olney' by Philatype, 'Celdum' and 'Metral' by The Northern Block, and 'Sica' by dooType (names referenced only for comparison).

Keywords: headlines, posters, logos, packaging, app ui, confident, friendly, sporty, techy, modern, impact, approachability, modernity, brand presence, clarity, rounded, blocky, compact, soft corners, sturdy.


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A heavy, rounded sans with squared-off curves that read as superelliptical: bowls and counters are built from rounded-rectangle geometry rather than pure circles. Strokes are thick and even, with broad shoulders, blunt terminals, and minimal modulation. Uppercase forms are wide and stable, while lowercase keeps a compact, sturdy rhythm; counters stay fairly open for the weight, and the overall texture is dense and dark. Figures are similarly chunky with softened corners, matching the letterforms for consistent color in setting.

Best suited to headlines, short statements, and brand marks where a compact, high-impact voice is needed. It can work well for packaging, sports or tech-oriented identity, and attention-grabbing UI labels or buttons where rounded, sturdy shapes help readability at a glance.

The tone is bold and approachable, pairing a tough, poster-ready presence with softened edges that keep it from feeling harsh. Its rounded-rectilinear construction suggests contemporary tech, sports, and product branding—confident, upbeat, and straightforward rather than refined or delicate.

The design appears intended to deliver maximum presence with a friendly, contemporary feel by combining very heavy strokes with rounded-rectangle geometry. It prioritizes bold recognition and consistency across letters and numerals, aiming for a modern, energetic display voice.

The superelliptical rounding is especially apparent in C/G/O-style forms and in the squarish inner counters of letters like B, P, and R, which reinforces a cohesive, geometric system. The weight produces strong impact at large sizes, while the dense color can become dominant in long passages.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸