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Sans Other Rebof 5 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Knockout' by Hoefler & Co., 'Burger Honren' by IRF Lab Studio, 'Neue Helvetica' by Linotype, 'Angmar' and 'Headpen' by Umka Type, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: headlines, posters, signage, logos, packaging, western, circus, poster, vintage, rowdy, wood-type revival, thematic display, maximum impact, poster lettering, blocky, wedge-cut, notched, angular, compressed.


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A compressed, heavy display face with squared proportions and a strong vertical rhythm. Strokes are largely monolinear, with distinctive wedge-cut notches and chamfered corners that create a carved, cutout effect at joins and terminals. Curves are tightened into faceted shapes, giving rounds like O and Q an octagonal, sign-painted feel. Counters are relatively small and apertures stay compact, keeping the silhouette dense and high-impact at larger sizes.

Best suited for short, high-impact settings such as headlines, posters, storefront or event signage, and logo wordmarks. It can also work well on packaging or labels where a vintage showbill or Western mood is desired, especially at display sizes where the notches and chamfers remain clear.

The overall tone reads as Western and show-poster oriented—bold, loud, and theatrical. Its notched construction evokes wood type and vintage headline lettering, lending a playful, slightly rugged character that feels at home on event signage and branded display work.

The design appears intended to reinterpret classic wood-type and show-poster lettering through a compact, heavy build and a consistent system of carved notches and chamfered corners. The goal is maximum visual presence and thematic character in display typography rather than neutral text readability.

Uppercase forms maintain a consistent, column-like stance, while lowercase keeps the same carved logic with simplified bowls and sturdy stems for a cohesive texture in words. Numerals follow the same faceted, cut terminal language, supporting tight, attention-grabbing headlines where strong shape recognition matters more than fine detail.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸