Sans Superellipse Rumop 2 is a regular weight, narrow, high contrast, upright, tall x-height font.
Keywords: headlines, logotypes, posters, packaging, magazine covers, fashion, editorial, contemporary, elegant, dramatic, editorial impact, modern luxury, display emphasis, stylized geometry, condensed, vertical, crisp, refined, stylized.
A condensed, high-contrast display face with a strong vertical rhythm and a tall, dominant x-height. Strokes switch sharply between thick, inky stems and hairline connections, producing a crisp, polished texture. Curves are built from rounded-rectangle/superellipse-like bowls with flattened sides and tight apertures, and many terminals resolve into clean, squared-off cuts rather than traditional serifed finishes. Overall spacing is compact and columnar, with consistent geometry across round and straight forms and a distinctly sculpted silhouette in letters like C, S, and the numerals.
Best suited to display sizes where its hairline strokes and sculpted curves can stay crisp—headlines, mastheads, fashion/editorial layouts, branding wordmarks, and premium packaging. It can also work for short subheads or pull quotes when given enough size and breathing room, but its condensed rhythm and high contrast make it less ideal for long, small-body text.
The font feels modern and fashion-forward, with a cool, editorial confidence. Its dramatic contrast and condensed proportions add a sense of luxury and deliberate stylization, evoking magazine typography, boutique branding, and contemporary poster work.
The design appears intended to deliver a contemporary, high-fashion look by combining condensed proportions with pronounced contrast and rounded-rectangle curve construction. It prioritizes a striking silhouette and refined texture, offering a distinctive alternative to conventional condensed display sans designs.
The uppercase shows several distinctive, non-traditional constructions (notably the arched A and the U with a pointed, centered join), while the lowercase remains similarly tall and narrow, reinforcing the vertical cadence in text. Numerals follow the same contrast and superelliptical curve logic, reading clean and display-oriented rather than utilitarian.