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Free for Commercial Use

Distressed Jelu 5 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Myriad' by Adobe, 'Bronkoh' by Brink, 'EquipCondensed' by Hoftype, 'Engrez' by Indian Type Foundry, and 'Belle Sans' by Park Street Studio (names referenced only for comparison).

Keywords: posters, headlines, packaging, event flyers, game titles, rugged, playful, rowdy, vintage, handmade, impact, grunge texture, hand-printed, retro signage, attitude, rough edges, blunt serifs, inked, stamp-like, irregular texture.


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A heavy, chunky display face with compact proportions and blunt, slab-like terminals. The letterforms are built from broad strokes and simplified shapes, then deliberately roughened: edges look torn or ink-worn, counters are slightly uneven, and joins show small nicks and bumps that create a hand-printed texture. Uppercase forms feel sturdy and blocky, while lowercase keeps a similar weight and rhythm with short extenders and a tightly packed, workmanlike structure. Numerals match the same mass and distressed contouring, maintaining a consistent, gritty silhouette across the set.

Well-suited for display settings such as posters, titles, splash screens, and short punchy messaging where texture is part of the voice. It can also work for packaging, labels, and themed promotional material that benefits from a stamped or worn-print impression. For longer passages, it’s best reserved for short bursts (subheads, pull quotes) due to its dense weight and distressed details.

The overall tone is bold and scrappy, with a casual toughness that reads like worn signage or a well-used rubber stamp. Its irregularity adds energy and attitude, giving headlines a mischievous, slightly unruly character rather than a polished or corporate feel.

The design appears intended to deliver maximum impact with a deliberately imperfect, printed-by-hand feel. Its chunky construction provides strong presence, while the rough contouring adds personality and suggests age, wear, or gritty craft production.

The distressing is consistent enough to feel intentional, but varied enough to avoid a repeated pattern, which helps large text feel lively. Tight internal spaces and heavy color mean it performs best when given room—larger sizes and a bit of tracking help preserve counters and texture.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸