Sans Superellipse Pidom 2 is a very bold, very narrow, low contrast, upright, tall x-height font.
Keywords: posters, headlines, logotypes, packaging, merchandise, playful, retro, hand-cut, quirky, friendly, display impact, retro flavor, handmade feel, brand character, compact setting, condensed, soft corners, squarish rounds, irregular rhythm, top-heavy.
A condensed, heavy sans with softly squared curves and a rounded-rectangle construction. Strokes are broadly uniform with minimal contrast, and many terminals flare or taper slightly, giving the letterforms a hand-cut, organic finish. Counters are compact and often squarish, while verticals dominate the overall rhythm, producing a tall, packed texture in text. The shapes keep a consistent superelliptical feel across rounds, but with deliberate irregularities that add character and motion.
Best suited for short, high-impact settings such as posters, headlines, branding marks, and product packaging where its chunky condensed silhouettes can carry personality. It also works well for labels, event graphics, and merchandise designs that benefit from a retro, handmade display voice. For longer passages, it will create a very dark, compact color, so generous size and spacing help maintain clarity.
The font reads bold and mischievous, with a mid-century display energy and a touch of cartoon signage. Its uneven terminals and slightly wobbly silhouettes create an approachable, handmade tone rather than a strictly geometric one. Overall it feels lively and attention-seeking, suited to expressive, upbeat messaging.
The design appears intended as a characterful condensed display sans that blends rounded-rectangle geometry with handcrafted terminal shaping. It prioritizes bold silhouette, tight rhythm, and playful irregularity to stand out in titles and branding contexts while retaining a coherent, geometric backbone.
The uppercase shows strong, condensed pillars and tight apertures, while the lowercase maintains a similarly compact, monoline structure with distinctive, sculpted joins. Numerals follow the same chunky, narrow proportions and remain highly graphic at display sizes. The texture in paragraphs is dense and dark, emphasizing silhouette and rhythm more than inner detail.