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Print Monok 5 is a regular weight, very wide, low contrast, reverse italic, normal x-height font.

Keywords: posters, packaging, kids content, social graphics, headlines, playful, casual, friendly, quirky, handmade, approachability, informality, handmade feel, cheerful display, easy reading, rounded, monoline, soft terminals, bouncy baseline, loose spacing.


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A rounded, monoline hand-drawn print with soft terminals and gently irregular stroke behavior. Forms are notably expansive with broad bowls and open counters, creating a wide footprint and an airy overall color. Many curves lean subtly in the opposite direction of a typical forward slant, and the rhythm feels lively due to small variations in width and stroke endings. The lowercase is simple and readable with single-storey constructions, while figures are similarly rounded and informal, maintaining consistent stroke weight and generous interior space.

Best suited for short to medium text in informal contexts such as posters, packaging, social media graphics, and cheerful branding. It performs especially well for headlines, labels, and educational or kids-focused materials where warmth and approachability matter. Because of its wide proportions, it’s less efficient for space-constrained layouts but works well when you can give it room to breathe.

The font reads as upbeat and approachable, with a doodled, everyday handwriting feel rather than a formal script. Its wide stance and rounded shapes add a light, friendly tone, while the slight irregularities keep it personable and human. The reverse-leaning motion gives it a subtly quirky, offbeat personality that can feel humorous or whimsical without becoming chaotic.

The design appears intended to emulate a neat, marker-like hand print with consistent stroke weight and rounded geometry, prioritizing friendliness and clarity. Its broad proportions and subtle reverse slant suggest a deliberate push toward a distinctive, playful texture while keeping letterforms straightforward and readable.

Spacing appears generous and the overall silhouettes stay smooth and uncluttered, helping legibility at larger sizes. The wide proportions make lines occupy more horizontal space than typical text faces, and the soft, blunt terminals contribute to a gentle, non-technical look.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸