Sans Superellipse Ogmaf 8 is a very bold, normal width, monoline, upright, normal x-height font.
Keywords: headlines, logos, posters, packaging, ui labels, techno, futuristic, arcade, industrial, modular, display impact, tech aesthetic, modular styling, brand distinctiveness, rounded corners, square forms, geometric, stencil-like, compact.
A heavy, geometric sans built from squared bowls and rounded-rectangle construction, with consistently softened corners and largely uniform stroke weight. Counters tend to be rectangular and tight, giving letters a compact, modular feel with deliberate cut-ins and notches in places (notably in forms like S, a, and e). Diagonals are sparing and simplified, while curves resolve into squared turns rather than true ovals, producing a crisp, engineered rhythm. Numerals follow the same blocky logic, with segmented, panel-like openings and a sturdy, display-oriented presence.
Best suited to headlines, branding marks, posters, and packaging where its blocky geometry and distinctive apertures can be appreciated. It can also work for short UI labels, wayfinding, or product/tech titling when a futuristic, industrial voice is desired, especially at medium-to-large sizes.
The overall tone is boldly synthetic and machine-made, evoking arcade interfaces, sci‑fi hardware labels, and retro-future signage. Its squared geometry and clipped apertures create a confident, utilitarian attitude that reads as technical and slightly game-like rather than friendly or classical.
Likely designed to deliver a strong, contemporary display voice rooted in rounded-rectangle geometry—prioritizing impact, consistency, and a modular, engineered aesthetic over traditional text softness. The clipped counters and squared curves appear intended to add recognizability and a tech-forward personality in tight, bold settings.
The design’s visual identity relies on superelliptical bowls and rectangular counters, which stay consistent across uppercase, lowercase, and figures. The tight interior spaces and distinctive notches add character at larger sizes, but also make the face feel intentionally “constructed,” like lettering assembled from modules.