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Free for Commercial Use

Sans Normal Opnor 4 is a bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Pelago' by Adobe, 'Proza' by Bureau Roffa, 'City Boys' by Dharma Type, 'Skeena' by Microsoft Corporation, 'Joanna Sans Nova' by Monotype, and 'Le Monde Sans Std' by Typofonderie (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, clean, confident, friendly, modern, pragmatic, impact, clarity, modernity, simplicity, versatility, geometric, rounded, solid, sturdy, high-impact.


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A heavy, geometric sans with broadly circular bowls and smooth, even curves paired with straight, firmly vertical stems. Terminals are clean and mostly squared off, giving the letterforms a crisp, engineered finish while maintaining rounded counters. The overall rhythm is compact and dense, with generous stroke weight and tight interior spaces that create strong color on the page. Uppercase shapes read as simple, monoline constructions (e.g., broad C/O forms and a straightforward G), while the lowercase keeps similarly geometric proportions with a single-storey a and g and a sturdy, utilitarian t.

Best suited to headline typography, posters, signage, and brand lockups where a strong, simplified sans can carry impact. It also works well for packaging and interface display text where clarity and presence are needed. For longer reading, it will be most comfortable in short passages or as a display companion with generous spacing.

The font conveys a straightforward, contemporary tone: assertive and highly legible, but not harsh. Its rounded geometry adds approachability, making it feel friendly and stable rather than aggressive. Overall, it suggests modern practicality—clear, direct communication with a polished, no-nonsense voice.

The design appears intended as a robust, geometric display sans that prioritizes immediacy and recognizability. By combining simple circular construction with crisp terminals and compact counters, it aims to deliver modern versatility for contemporary marketing and UI-forward applications.

In the text sample, the weight produces strong emphasis and clear word shapes, especially in headings and short blocks. At smaller sizes or in dense settings, the tight counters and heavy joins may visually close up, so a bit of extra tracking and comfortable line spacing can help preserve clarity.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸