Sans Superellipse Hakis 7 is a bold, wide, monoline, upright, tall x-height font visually similar to 'QB One' by BoxTube Labs, 'Futo Sans' by HB Font, 'Olney' by Philatype, 'RBNo3.1' by René Bieder, 'Gemsbuck Pro' by Studio Fat Cat, and 'Hyperspace Race' by Swell Type (names referenced only for comparison).
Keywords: headlines, branding, posters, signage, ui titles, techy, futuristic, industrial, confident, clean, modernize, digitize, systematize, strengthen, squared, rounded corners, geometric, compact curves, stencil-like joints.
A geometric sans built from squared, rounded-rectangle forms with generous corner radii and largely uniform stroke weight. Curves resolve into superellipse-like bowls and squared counters, producing a crisp, engineered silhouette with minimal modulation. Terminals tend to be flat and orthogonal, with occasional cut-in joins and clipped corners that add a slightly mechanical, constructed feel. Spacing reads open and steady, and the shapes stay consistent across caps, lowercase, and figures, giving the face a cohesive, systematized rhythm.
It performs best in display contexts where its squared-round geometry can be appreciated: headlines, logotypes, packaging, posters, and environmental or wayfinding signage. It can also work for UI titles, dashboards, and game/interface graphics where a modern, device-like voice is desired.
The overall tone is contemporary and tech-forward, with an industrial confidence that suggests UI hardware, sci‑fi interfaces, and engineered product aesthetics. Its rounded corners keep it approachable, while the squared geometry maintains a firm, no-nonsense presence.
The design appears intended to deliver a modern geometric voice that bridges friendly rounding with hard-edged structure. By emphasizing rounded rectangles and uniform strokes, it aims for high-impact legibility and a distinctive, tech-leaning personality suitable for contemporary branding and interface-centric design.
Uppercase forms lean on rectangular bowls (notably in round letters), and diagonals are clean and sharply resolved, reinforcing a precise, fabricated look. The figures follow the same rounded-rect geometry, reading clear and display-oriented.