Sans Superellipse Fomav 3 is a bold, wide, low contrast, italic, tall x-height font visually similar to 'Kabyta' by Agny Hasya Studio, 'Perihelion BB' by Blambot, 'Futo Sans' by HB Font, 'Navine' by OneSevenPointFive, and 'Ddt' by Typodermic (names referenced only for comparison).
Keywords: sports branding, headlines, posters, packaging, ui labels, sporty, tech, assertive, dynamic, modern, speed, impact, modernity, technicality, branding, oblique, square-rounded, compact apertures, soft corners, industrial.
A slanted, heavy sans with squared-off, superellipse-style bowls and consistently softened corners. Strokes are uniform with low contrast, and terminals are predominantly blunt, creating dense, stable letterforms. Counters tend to be rounded-rectangular and somewhat tight, while joins and curves keep a controlled, engineered feel rather than calligraphic motion. The rhythm is compact and forward-leaning, with sturdy numerals and angular diagonals that stay coherent across the set.
Best suited to bold headlines, sports and esports identities, product marks, packaging callouts, and short UI labels where a fast, modern voice is desired. It holds up well in large sizes and in high-contrast layouts, and works particularly well for titles, slogans, and numeric-heavy applications like scores or stats.
The overall tone is energetic and performance-driven, combining a technical, engineered geometry with a sporty, forward motion. Its strong silhouettes and oblique stance feel confident and contemporary, leaning toward motorsport and product-forward branding rather than quiet editorial neutrality.
The design appears intended to deliver an aerodynamic, modern sans with rounded-square geometry: strong, compact forms that read as fast and technical while remaining approachable through softened corners. It prioritizes impact and consistency across caps, lowercase, and figures for branding and display use.
The superelliptical construction is especially apparent in rounded letters and numerals, giving a ‘machined’ smoothness even where shapes are squared. The italic angle is consistent and the heavy weight keeps internal spaces from opening up too much, which can increase impact while slightly reducing small-size clarity in dense text.