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Free for Commercial Use

Sans Contrasted Gewo 1 is a very bold, wide, high contrast, upright, normal x-height font visually similar to 'Beatrice Display' and 'Beatrice Headline' by Monotype and 'Gella Display' by Slava Antipov (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, logos, playful, punchy, retro, quirky, friendly, display impact, brand voice, retro flavor, expressive texture, silhouette clarity, bulky, rounded, soft corners, compact counters, ink-trap feel.


Free for commercial use
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A heavy, display-oriented sans with broad proportions and a largely geometric backbone softened by rounded joins and corners. Strokes show noticeable contrast and occasional pinched transitions, creating an ink-trap-like rhythm in curves and apertures. Counters are compact and often asymmetric, with distinctive notches and wedges in letters like S, a, e, and g that add a lively, cut-paper feel. Uppercase forms are sturdy and blocky, while lowercase remains robust and highly simplified, prioritizing mass and silhouette clarity over delicate detail. Numerals match the headline weight with bold, rounded shapes and tight interior spaces.

Best suited to headlines, posters, branding, and packaging where strong silhouettes and high visual impact are desired. The dense color and compact counters make it especially effective at larger sizes, in short-to-medium phrases, and in identity work that benefits from a quirky, retro voice.

The overall tone is bold and attention-seeking, with a playful, slightly mischievous character. The notched curves and chunky proportions evoke a retro display sensibility—confident, loud, and friendly rather than austere. It reads as designed to entertain and brand, adding personality even in short words.

The design appears intended as a high-impact display sans that balances geometric structure with expressive cuts and pinched transitions. Its goal is to deliver maximum presence and memorability, using contrast and distinctive notches to create a signature texture across both uppercase and lowercase.

Several glyphs include deliberate angular cuts and internal wedges that create dynamic highlights in what would otherwise be solid, monolithic shapes. The spacing in sample text appears tight and dense, reinforcing a compact, poster-like color on the page. Diagonal elements (notably in K, N, W, X, and Z) are simplified and heavy, maintaining consistent visual weight across the set.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸