Sans Superellipse Egmy 2 is a regular weight, very narrow, low contrast, italic, normal x-height font.
Keywords: headlines, subheads, posters, branding, packaging, modern, efficient, clean, technical, editorial, space saving, modernity, dynamic emphasis, geometric clarity, editorial hierarchy, condensed, oblique, monoline, soft corners, tall.
A tightly condensed, oblique sans with tall proportions and a largely monoline stroke. Curves are drawn with softly squared, superelliptic rounding, giving counters and bowls a subtly rectangular feel rather than true circles. Terminals are clean and unadorned, and the overall rhythm is upright in construction but consistently slanted, producing a streamlined, forward-leaning texture. Numerals and caps follow the same narrow, elongated skeleton, maintaining an even, economical color in text.
This font works well for headlines and subheads where horizontal space is limited but a strong typographic presence is needed. It’s also well-suited to posters, packaging, and brand systems that benefit from a modern, condensed, slanted sans for emphasis and motion. In shorter text blocks and captions, it can provide compact, high-impact hierarchy when paired with a more neutral companion.
The overall tone is contemporary and purposeful, with a brisk, engineered feel. Its narrow, slanted stance suggests speed and efficiency, while the rounded-rectangle curvature keeps it approachable rather than severe. It reads as modern and editorial, suited to compact layouts that still want a distinctive voice.
The design appears intended to deliver a space-saving, contemporary sans with a dynamic oblique stance and softened superelliptic curves. It prioritizes consistent rhythm and a clean, modern texture while adding character through its narrow proportions and subtly squared rounding.
Spacing appears tuned for dense setting, with compact sidebearings that reinforce a vertical, column-friendly texture. The superelliptic geometry is especially noticeable in round letters and bowls, which feel subtly squared while remaining smooth. The italic angle is consistent across cases and figures, creating a cohesive flow in longer lines.