Sans Superellipse Olnuk 9 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'Grillmaster' by FontMesa, 'Antiquel' by Lemonthe, 'MVB Diazo' by MVB, 'PG Grotesque' by Paulo Goode, and 'Aaux Next Comp' by Positype (names referenced only for comparison).
Keywords: headlines, branding, posters, signage, ui labels, industrial, modernist, technical, condensed, assertive, space saving, strong impact, geometric consistency, system styling, clarity, rounded corners, rectilinear, modular, compact, high contrast (shape).
This typeface is built from compact, straight-sided forms with generously rounded corners, giving many letters a squared-off superellipse feel rather than purely circular geometry. Strokes are consistently heavy and even, with clean terminals and minimal modulation. Curves are tightened and simplified, and counters tend to read as rounded rectangles, creating a crisp, engineered rhythm. Overall proportions are tall and space-efficient, with tight apertures and sturdy verticals that keep silhouettes strong at a distance.
It performs best in headlines, short bursts of copy, and display settings where a compact width and strong presence are beneficial. The simplified, rounded-rect shapes also suit signage, packaging, and UI labels that need a modern, systematized look. In longer text, its dense color and tight forms will read most comfortably at moderate sizes with adequate line spacing.
The overall tone is contemporary and utilitarian, with an industrial confidence. Its rounded-rect geometry softens the voice slightly, but the condensed proportions and dense stroke presence keep it direct and no-nonsense. The result feels technical and modern, suited to systems-oriented design rather than expressive or calligraphic contexts.
The design appears intended to deliver a space-saving, high-impact sans with a distinctive rounded-rectangle construction. By standardizing curves and corners and keeping stroke behavior consistent, it aims for a controlled, contemporary texture that stays legible and visually robust in bold display applications.
Round letters like O/Q and digits such as 0/8 emphasize vertical sides and squared curves, reinforcing the modular construction. The lowercase set maintains the same disciplined, rectilinear logic, producing consistent texture in paragraphs and signage-like emphasis in headlines.