Hollow Other Hagi 3 is a regular weight, wide, very high contrast, upright, normal x-height font.
Keywords: headlines, posters, branding, logotypes, packaging, art deco, futuristic, architectural, graphic, stylized, decoration, identity, signage, patterning, modernism, stencil-like, cutout, inline, geometric, monoline.
A geometric display face built from monoline outlines paired with large solid fills and consistent internal knockouts. Many glyphs combine circular bowls and straight, squared terminals, with repeated horizontal and rectangular cut-ins that create a modular, stencil-like rhythm. Counters are often partially closed or interrupted, producing a strong figure/ground interplay; round letters (C, O, G, Q) read as near-perfect circles with deliberate gaps, while diagonals (K, N, V, W, X, Y) carry the same cutout logic as bands across strokes. Numerals mirror the alphabet’s construction with bold half-filled forms and crisp internal breaks, keeping the set visually unified.
Best suited to display applications such as headlines, posters, brand marks, and packaging where its cutout detailing can be appreciated. It also works well for short bursts of copy on editorial openers or event signage, especially when a geometric, stylized tone is desired.
The cutout patterning and geometric construction evoke an Art Deco-meets-modernist sensibility—sleek, engineered, and graphic. The recurring internal bars feel like architectural details or signage inlays, giving the type a confident, designed presence rather than a neutral text voice.
The design appears intended to transform simple geometric letter skeletons into a decorative system through consistent internal knockouts and alternating solid/outline regions. The goal is strong visual identity and pattern-like texture across words while keeping overall letter silhouettes familiar enough for headline readability.
The distinctive internal knockouts become more prominent as words set in, creating a lively texture across lines of text. Because several letterforms rely on interrupted strokes and partial bowls, clarity is strongest at larger sizes where the internal structure reads as intentional detailing rather than noise.