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Free for Commercial Use

Sans Normal Oskay 11 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Contemporary Sans' by Ludwig Type; 'Plymouth Serial' by SoftMaker; 'TS Franklin Gothic' and 'TS Plymouth' by TypeShop Collection; 'Adelle Sans' by TypeTogether; and 'Brute Sans', 'Penta', and 'Penta Rounded' by Wiescher Design (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, friendly, confident, playful, retro, impact, approachability, display clarity, brand voice, rounded, soft terminals, geometric, chunky, compact.


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This typeface is a heavy, rounded sans with compact proportions and smooth, geometric curves. Strokes are consistently thick with gently modulated joins, and many terminals finish with soft, rounded cuts that keep corners from feeling sharp. Counters are relatively small and circular, giving letters a dense, punchy color on the page, while apertures in forms like C, S, and G stay open enough to read clearly at display sizes. The lowercase shows single-storey a and g, a short-armed r, and sturdy, simple constructions throughout; numerals are similarly weighty with broad curves and minimal interior space.

It performs best where strong impact is needed: headlines, posters, logos/branding, packaging, and bold signage. The dense stroke weight and rounded construction also suit short bursts of text in advertising or UI callouts, though extended paragraphs may feel heavy due to the tight counters.

The overall tone is bold and approachable, pairing a confident headline presence with a friendly softness. Its rounded geometry and compact rhythm evoke a slightly retro, poster-like feel while still reading as contemporary and clean.

The design appears intended to deliver a high-impact sans that remains friendly rather than aggressive, using rounded geometry and compact spacing to create a strong, cohesive display voice.

The caps have a solid, blocky stance with even widths and pronounced roundness in O/Q and other bowls; the Q uses a short, integrated tail. Diacritics and punctuation shown in the sample text maintain the same dense weight, helping the font keep a consistent, emphatic texture in longer lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸