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Free for Commercial Use

Sans Normal Osmin 24 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Capitana' by Floodfonts, 'Apres' by Font Bureau, 'CF Panoptik' by Fonts.GR, 'Endeavor' by Lucas Tillian, 'Geograph' by Sarah Khan, and 'Transat Text' by Typetanic Fonts (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, modern, friendly, confident, clean, punchy, impact, clarity, approachability, simplicity, rounded, geometric, compact, high impact, even rhythm.


Free for commercial use
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A heavy, rounded sans with simple geometric construction and smooth curves. Strokes are consistently thick with clean terminals, producing solid silhouettes and strong color on the page. Counters are relatively open for the weight, while joins stay tidy and minimally fussy; round letters like O/C/G read as near-circular with slightly flattened optical sides, and straight-sided forms (E/F/H/N) feel sturdy and square-shouldered. The lowercase has a compact, workmanlike structure with a single-storey a and g, a short-armed r, and a balanced, symmetrical feel across repeated shapes, giving text an even, blocky rhythm at display sizes.

Well-suited for headlines, short statements, logos, and bold brand systems where immediate readability and strong presence are needed. It can work for signage and packaging where a friendly, geometric voice is desirable, especially when set with ample spacing.

The overall tone is contemporary and approachable, with a straightforward, no-nonsense confidence. Its rounded geometry softens the heaviness, keeping it friendly rather than aggressive, while the dense weight makes it feel emphatic and headline-ready.

The design appears intended to deliver a contemporary, highly legible display sans that blends geometric clarity with softened rounding for a more approachable tone, emphasizing uniformity and impact over delicate detail.

At larger sizes it presents a unified, poster-like texture; in longer lines the heavy weight and tight internal spaces can make paragraphs feel dense, suggesting it’s most comfortable when given generous leading and tracking.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
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10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸